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管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 第2幕 (1860年代様式で豪華に飾られた公衆舞踏会ホールの控え室。左右には、円柱と襞付きカーテンのある待合室のような空間がある。舞台中央では、階段がギャラリーにつながっていき、そこから舞踏会の大広間を見下ろせるようになっている。大広間へは、左右の階段を通しても下りて行けるようになっている。 アラベラ、その後に続くアデライーデは、大勢の紳士達に取り巻かれながら、ギャラリーから階段をゆっくりと降りてくる。 ヴァルトナーとマンドリカは、下のほう、舞台の脇のほうに立っている。二人とも黒い上着を着て、首に巻きつけるタイプの黒いネクタイをしている) MANDRYKA 天から舞い降りた天使のような方だ! WALDNER ふむ、やっとか!いつも30分遅刻するな。 MANDRYKA ああ、ヴァルトナーさん、ヴァルトナーさん! WALDNER そんなに強く手を握られますと、 私は3日間カードが持てなくなってしまいます。 さあ、お出でなさい!ご紹介いたしましょう! なぜ尻込みしているのです! (アデライーデとアラベラは階段を下りきって、少し左寄りに進む。お付きの男たちは、後ろにとどまったままでいる) ADELAIDE (小声でアラベラに) あの方よ。いろいろ言いすぎたかしら? ARABELLA (そちらの方を見た様子も見せずに) ママ・・・今、本当に決定的な時なのよ! ADELAIDE ひどく真っ青ね!ねえ、具合でも悪いの? 座りましょうか?それとも出て行きましょうか? ARABELLA いいえ、ほっといて、ママ。 ほんのちょっと、一人にしといて。 (アデライーデは、二人の男達に近づいて行く) WALDNER (アデライーデを迎えながら) どうしたんだ? ADELAIDE あの子に少し時間をあげて! WALDNER 何のために? ADELAIDE 急に不安になったみたい。 あの子の性格を知ってるでしょ。 WALDNER そんな馬鹿なこと言っている場合か! お前にマンドリカ氏を紹介しよう。 (アデライーデが差し出した手に、マンドリカはキスをする) ARABELLA (皆のもとに来て) ママ・・・来たわよ。 WALDNER 我が娘アラベラです。 (マンドリカは深々とお辞儀をする。アデライーデは、ヴァルトナーを舞台袖に連れて行き、二人は舞台右側へと退場する。マンドリカは何一つ言葉を発することなくアラベラを見つめている) ARABELLA こんな場所に興味のあるお方には 見えませんけれど。 (扇子であおぎながら) どうして、ここにお出でになったの? MANDRYKA ウィーンにですか? ARABELLA この舞踏会にですよ! MANDRYKA なぜここへ来たかとおっしゃるのですね?アラベラ伯爵令嬢。 Dominik (後ろからやって来て、アラベラをダンスに誘おうとする) ワルツをお相手願えませんでしょうか? ARABELLA (ドミニクに) また後ほど。今はこの方とお話ししているのです。 (舞台左手に進む。ドミニクは退場) MANDRYKA (やや間をおいて) お父様から何も聞いておられないのですか? ARABELLA (腰を下ろし、扇子で 隣に座るよう合図する) 父からどんな話を聞いていれば良かったのでしょう? ELEMER (後ろからやって来て、アラベラに) ワルツをお相手願えませんでしょうか? ARABELLA また後ほど。今はここにいたいのです。 (エレメルは一礼して去っていく) ARABELLA (マンドリカを見つめる) 父からどんな話を聞いていれば良かったのでしょう? MANDRYKA 私のことを何も聞いておられないのですか? (アラベラは、知らないと首を振る) 私には妻がおりました。美しく、天使のように清らかな妻が。 しかし、たった2年間ともに過ごしただけで、 早くも神に召されてしまったのです。 あの頃、私はまだ若く、天使のようなあの妻に ふさわしい男ではなかったのかも知れません。 (首をうなだれる) ARABELLA (少し間をおいてから、ちょっといたずらっぽく) お父様が私に伝えたかったというのは、 そのことなの? MANDRYKA (きわめて真面目に、ずっしりとした声で) お許しください。農夫みたいな男なのです。 とにかく鈍くって、力が強いだけが 取り柄のような男なのです。 (突然、意を決したように) あなたは美しい。アラベラ・・・ その美しいお顔を写真で拝見した時、 すぐに私の心は燃え上がってしまったのです。 ARABELLA (眉をひそめながら) いったいなぜスラヴォニアで 私の写真なぞ・・・? MANDRYKA (アラベラを見つめて) なぜ写真を・・・?どうでもいいことです! あなたは余りにも美しい!あなたの表情にひそむ魔力は、まるで蝋に押し付けて型を取ったように、私の心に刻みつけられました!いつも野や森に取り囲まれている純朴な男には、あなたの魔力はあまりにも大きすぎるのです。 いまや私は夢見る者・・・ 何かに取り憑かれた男になってしまい、 心に固く決したのです。 心に固く決めてしまえば、 その通り行動せずにはおれない男なのです。 Arabella (マンドリカの抑制しつつも激しい口調にびっくりして、立ち上がる) MANDRYKA (立ち上がって) 伯爵令嬢・・・外の世界は、私の世界とは違うことを忘れておりました。 ここは、私の領地の森や野原ではありませんでしたな。 不器用な話でダンスの邪魔をしたことをお許しください。 LAMORAL (後ろからアラベラに近付いてきて) お話し中ですが、ワルツのお相手をお願いできますでしょうか? ARABELLA いいえ。ラモラルさん、また後ほど。 このお方ともう少しお話ししたいのです。 もし、この方が腰を下ろしてお話しして下さればですけど。 (ラモラルは一礼して去っていく) ARABELLA (腰を下ろし、マンドリカにも座るよう手で促す) 父が申しておりましたわ。 あなたは私との結婚を望んでおられると・・・。 ですが、私たちがどのような者であるか、 ご存知なのですか? 世間の目に照らせば、もはやそれほどの者ではないのですよ・・・残念ながら、若干うさんくさい家族と言っても良いぐらいなのです! MANDRYKA アラベラ・・・あなたのお血筋は、 お顔に、きちんと表れています! 私は領民に指示を下す立場にありますが、 その私に指示を出すぐらいのことで 満足できましたら、 私に付き添って領地に帰り、 女領主となってください! あなたはシルクの床の上で、 孔雀に餌をあげていればよいのです。 あなたより高位の身分だと 思い上がる者など一人もいません。 王様や皇帝や皇妃でもない限り・・・! 誰もそんなことを思う者はいません! ARABELLA (独り言で) 私にふさわしい人・・・口に出さずつぶやいたその人・・・ その私にふさわしい人が・・・一人ここにいて・・・ 目の前にいきなり立ったなら・・・私そう言ったわね・・・ 私を見つめ、私も見つめ返したら、 もう言い逃れたり 問いかけたりはしない・・・ いいえ!太陽の光にきらめく川面を 見つめるように、全てがはっきり見えているの! MANDRYKA 私の屋敷の脇を明るく静かに流れるドナウ川が、 あなたを私のもとに連れて来てくれたのです! 類いなく美しい方! (秘密をささやくかのように) 今晩、眠りにつく時には、もうそうなるのですよ・・・ 君が、ぼくの領地の村娘だとしましょう。 君は、お父さまの家の裏手にある井戸に行って 清らかな水を盃に汲んでこなければなりません。 玄関で、ぼくに盃を渡した瞬間、 君とぼくとは結ばれるのです。 神の御前で、人々の面前で・・・ ああ、世界で一番美しい方! ARABELLA あなたのような方を、私は今まで見たことがないわ。 ご自身の生き方の流儀を常に身にまとっていて、あなたに属していないものは、まるでこの場に存在しないかのようね。 MANDRYKA だからこそ素晴らしいものを崇めることなしには生きていられないのです。今この瞬間に、私が崇めているのはあなたです。 あなたを私の妻に選んだのです。 私が領主たるところ、 あなたは女領主となりますし、 私が支配者たるところ、 あなたもまた支配者となるでしょう! ARABELLA (とても小さな声で、マンドリカと声を合わせて) あなたこそ私を支配する人、私はあなたに従います。 これからは、あなたの家が私の家。 お墓の中まで付き添ってまいります。 MANDRYKA 世界で一番美しい人・・・君を崇めずにはいられない・・・ ARABELLA 私は全てをあなたに捧げます・・・ 時が果てるまでずっと。 (声音をがらっと変えつつも、真剣に) ですが今は、お先にお帰り下さい。お願いですわ。 MANDRYKA あなたは? ARABELLA ここに残ります。 (マンドリカは一礼する) もう少し踊って、私の娘時代に別れを告げたいのです。 ほんの1時間ほどよ。お許しくださいますか? MANDRYKA あなたが、ここにいるのなら、 私の居場所もここにしかありません。 (アラベラは眉をひそめる) ですが、声をかけるには およびませんので! (御者たちと舞踏会の客たちが大勢、舞踏会の広間から階段を上って舞台にあふれ出てくる。その中には御者舞踏会の歌姫ミッリのほか、似たような娘たちと3人の伯爵もいる) ARABELLA (マンドリカを見つめながら) 本当にいいの? MANDRYKA もちろん!さあ!お気に召すまま、するがいい! (舞台の脇に退き、出てくる人々のために道を空けながら) みなさま、道をおゆずりください、 東西南北ばらばらに! 少女にダンスを踊らせてあげてください。 お父様の家から嫁ぐ前に! (とても人目を引く舞踏会用ドレスを着た可愛らしい歌姫ミッリが、手に大きなブーケを持って、舞台中央に出て来ていたアラベラに歩み寄る) DOMINIK (ミッリにくっついて歩きながら) 舞踏会には、女王が必要さ! ミッリは、御者たちの触れ役。 ぼくたちは、とうに彼女に忠誠を捧げた体! DIE FIAKERMILLI (アラベラの前で膝を屈めてお辞儀し、ブーケを手渡す。軽々しい、ほとんど厚かましいような調子で) ウィーンの殿方は、天文学に通じていらっしゃるわ・・・ きっと天文台のご出身なんでしょうけど、なんでこうなったのかは皆目ご存知ない! ウィーンの殿方はいとも素早く新たなスターを探し出して、 その女性を天空の 女王になさるのだわ・・・ さあ、声をそろえて歌いましょう・・・ 「あなた様こそ我らの宴の女王です!」 DIE GRAFEN UND FIAKER さあ、声をそろえて歌いましょう・・・ 「あなた様こそ我らの宴の女王です!」 (歌姫ミッリは、歌い終わると、すぐ厚かましくも大胆なヨーデルを歌い始める。ヨーデルは響き始めたワルツにつながっていく。ミッリがワルツの音色にあわせてヨーデルを歌う中を、アラベラはブーケから花を抜いて、貴族たちや御者たちに配っていく。 しまいに、ほとんど花が抜き取られてしまったブーケを彼らの方に投げると、ドミニクの手を取り、二人で舞踏会の広間へと降りて行く。すると全員がその後に続く。 マンドリカがその様子を見送った後、振り向くと、ちょうどアデライーデが舞台右手から出て来る。同時にマッテオも左手から出てくる。おどおどと彼の後を追いかけてくるズデンカは、少年の服装にもかかわらず、その上に背広のような上着を羽織り、円柱の陰に隠れている) ADELAIDE (マンドリカに) あなた、おひとり?アラベラはどこ? MANDRYKA 舞踏会の女王という務めを果たしに行きましたよ。 MATTEO (誰もいない空間に向かって) あのひとは、ぼくを忘れてしまったのだ・・・ あの人の美しさに酔っているこのぼくを! ADELAIDE お目々がきらきら輝いているわね。 どういうことかしら? ZDENKA (マッテオの後ろから、不安そうに) 君のことを思っているよ。 ぼくは知っているんだ、マッテオ! お姉さんは君の瞳しか目に入らないんだ。 MANDRYKA (アデライーデに) ああ、伯爵夫人。あなたご自身もまだお若くて、たいそう魅力的ですよ。あの人のお母様だというのに! いったいいかなる言葉をもってすれば、 あなたに感謝の意を伝えられましょう! (親しさをこめて、彼女の手にキスする) MATTEO (一歩前に進み出て) みんなに花を! みんなに微笑みを! みんなに自分自身を! ぼくには何が残されているんだ? ADELAIDE (マンドリカに) ああ、予測できましたこと?私に何が起こるかを! 私のお友達!私の男の子!私の騎士! 胸がいっぱいで、 おすそ分けしなくちゃいけないぐらい! 夫にも、娘にも!だめよ、まだここにいて! あら、あの人だわ! あなたを抱きしめてもらわないと! (舞台右手へ走って退場) ZDENKA (切実に、やさしく、マッテオに) すべて君のために取っておいてあるよ。 お姉さんは、君の悲しみを必要としている。 まるで、心のすべてを投げ入れる 噴水のようにね・・・。 他の人達の心は浅すぎるんだもの! MATTEO (放心したように口に出す) 残されたことは一つ・・・ガリツィアへ行く。 あの人を忘れるために・・・まだ間に合うならば! もし手遅れだとしたら・・・もう一つの手段しかない! (マッテオは前に出てくる。ズデンカは左手に取り残され、人目にも分かるほど恐怖にとらわれている) ZDENKA パパ!ママ!誰にも見られたくない! どこに行くの?マッテオ? (マッテオは舞台後方に行き、暗い顔で舞踏会の広間を見降ろす。アデライーデとヴァルトナーが舞台右側からマンドリカのほうにやって来る。ズデンカは舞台左手に姿を消す) ADELAIDE ああ、テオドール!ここにお出でですよ。テオドール! WALDNER (気さくな調子で) どんなご様子ですかな?我が友マンドリカの甥っ子どの。 お見受けするところ、伯父様と同じく、ご婦人の扱い方を心得ておられるようですが! まあ!どうぞ!抱擁していただけますかな! MANDRYKA 幸運な男として、あなたの前に立てて幸せです・・・ (軽く抱擁する) 恥ずかしくなってしまうぐらい幸せなのです! まるで、あなたが目にしている私は、 大の男ではなく、 我らの領地の村で夕方を待っている 若者のような気持ちです・・・ 辺りは真っ暗で、灯がともりはじめた時のような! ですが、若者は知っています。今その少女が自宅で待ち構えていることを。時が来れば、その娘は泉へと飛んでいき、 若者のために清らかな水を一杯汲んでくるでしょう。 暗い戸口で若者に手渡すための水を。 ADELAIDE ああ、何と繊細な。 うっとりするような田舎のならわしですこと! 私のふるさとの空気を感じましたわ。 先祖の城館でのことです。 あそこでも村が眠りにつく時には・・・ WALDNER (制止する身振りをして、とても急いで) お呼びいただければ、すぐ参りますので! (小声で) 勘弁してくれ!せっかく勝っているんだ! (舞台右手に退場) (マンドリカは手を高く上げ、指をパチッと鳴らす。すかさず、ヴェルコ、デューラ、ヤンケルが集まってくる。彼らは黒い燕尾服を着ているが、ボタンは金属製である) MANDRYKA (舞台右手で) テーブルを持ってくるんだ。食事としよう。 (すぐに見習いをしたがえ、メニューを持った給仕係が出てくる) MANDRYKA (アデライーデに) シャンパンはどうします?お命じください! (給仕係はアデライーデにワインリストを手渡す) ADELAIDE モエ・シャンドンね。辛すぎず甘すぎないのを・・・ 私の婚約の時もそうだったわ! MANDRYKA 瓶で30本持ってくるんだ! (ワインリストを指差して) テーブルには6本、 大広間には注いで回れ・・・ あと30本! さらに30本だ! ヴェルコ、指示を出せ! 広間の隅にはアイスクーラーを! 広間にいると、誰が魔法にかかって 御者の姿に変えられた伯爵なのか、 誰が裏返しに服を着て 伯爵になった御者なのか、まるで分かりゃしない! 俺が楽しむように、みんな楽しむがいいさ! どんどん注文をよこせ! ADELAIDE (ロブスター、雉肉、アイスクリームなどの皿を受け取りながら) お花はないかしら? MANDRYKA (急いで) 気をつけるんだ、デューラ! 御者を一人、もう一人と雇って、 花屋の扉を開けるんだ。 きれいな花売り娘たちを起こして、 倉庫にある花を片っ端から出させるんだ! 馬車を花で飾れ。 赤と白の椿で飾るんだ。 あの人に花の上で踊ってもらい、 娘時代に別れを告げてもらおう! 最後に私がこの手を広げたら、 もうダンスは踊らない。 私の手のひらの上で踊るのさ! ADELAIDE ああ、まるで私の娘時代の夢を再び見ているみたい! あなたは気前がいいし、力にあふれている・・・ てきぱきと命令を下すし、きっと怒った時は怖いんでしょうね・・・あなたの醸しだす信頼感は・・・ 言葉にできないほどよ! 早く私の手を取って、ギャラリーに連れて行って下さい! ZWEITER AUFZUG Vorraum zu einem öffentlichen Ballsaal, prunkvoll im Geschmack der 1860er Jahre. Logenartige Räume, aus Säulen und Draperien, links und rechts. In der Mitte Treppe zu einer Estrade, von der man in den eigentlichen Ballsaal hinabsieht, und zu dem man links und rechts von dieser Treppe hinabsteigt. Arabella und hinter ihr Adelaide, von mehreren Herren begleitet, steigen langsam die Treppe von der Estrade herab. Waldner und Mandryka stehen unten, seitwärts. Beide im schwarzen Frack, mit umgeschlungener schwarzer Cravatte. MANDRYKA Das ist ein Engel, der vom Himmel niedersteigt! WALDNER Na, endlich! Immer eine halbe Stund' zu spät. MANDRYKA O Waldner, Waldner! WALDNER Wenn du meine Hand so druckst werd ich drei Tag' lang keine Karten halten können. jetzt komm! ich stell dich vor! Was gehst du denn zurück! Adelaide mit Arabellaa, unten angelangt, treten etwas nach links. Die begleitenden Herren sind zurückgeblieben ADELAIDE leise zu Arabella Dort steht er. Habe ich zuviel gesagt? ARABELLA ohne dass sie hinzusehen scheint Mama- das ist jetzt wirklich die Entscheidung! ADELAIDE Du bist sehr blass! Ist dir nicht wohl, mein Kind? Willst du dich setzen? willst du fort? ARABELLA Nein, lass Mama. Nur einen Augenblick lass mich allein. Adelaide geht auf die beiden Herren zu WALDNER ihr entgegen Was ist denn? ADELAIDE Lass ihr einen Augenblick! WALDNER Zu was denn? ADELAIDE Eine plötzliche Beklommenheit. Du kennst ihre Natur. WALDNER Jetzt ist nicht Zeit für solche Faxen! Hier stell' ich Dir Herrn von Mandryka vor. Adelaide reicht Mandryka die Hand, die er küsst ARABELLA Zu ihnen gehend Mama, da bin ich. WALDNER Meine Tochter Arabella. Mandryka verneigt sich tief. Adelaide zieht Waldner bei Seite. Sie verschwinden rechts. Mandryka sieht Arabella an, ohne ein Wort herauszubringen ARABELLA Sie sehn nicht aus wie jemand, den das alles da interessiert. Indem sie sich fächelt Was führt sie dann hierher? MANDRYKA Nach Wien? ARABELLA Hierher auf diesen Ball! MANDRYKA Sie fragen mich, was mich hierherführt, Gräfin Arabella? Dominik kommt von rückwärts, will Arabella zum Tanz holen Darf ich vielleicht um einen Walzer bitten? ARABELLA zu Dominik Später. jetzt sprech ich hier mit diesem Herrn. Sie tritt nach links. Dominik ab MANDRYKA nach einer kleinen Pause So hat Ihr Vater Ihnen nichts gesagt? ARABELLA setzt sich und winkt ihm mit dem Fächer, sich neben sie zu setzen Was hätte er mir sagen sollen? ELEMER kommt von rückwärts zu Arabella Darf ich vielleicht um diesen Walzer bitten? ARABELLA Später. Jetzt bleib ich hier. Elemer verneigt sich und geht ARABELLA sieht Mandryka an Was hätte mir mein Vater sagen sollen? MANDRYKA Sie wissen nichts von mir? Arabella schüttelt den Kopf Ich habe eine Frau gehabt, sehr schön, sehr engelsgut. Sie ist zwei Jahre nur bei mir geblieben, dann hat der Herr Gott sie zu sich gerufen schnell. Zu jung war ich und noch nicht gut genug für einen solchen Engel. Er senkt den Kopf ARABELLA nach einer kleinen Pause, mit ein wenig Schelmerei Ist es das, was mein Vater mir erzählen sollte? MANDRYKA sehr ernst und schwer Verzeihen Sie, ich bin ein halber Bauer, bei mir geht alles langsam, aber stark. Wie mit plötzlichem Entschluss Sie sind schön, Arabella - Ihr schönes Gesicht auch auf einem Bild verbrennt schon die Seele! ARABELLA mit einem Stirnrunzeln Wie kommt man eigentlich da unten in Slawonien zu einem Bild von mir? MANDRYKA sieht sie an Wie man zu einem Bild - das ist ja gleich! - So schön sind Sie - eine Gewalt ist da in Ihren Zügen sich einzudrücken in die Seele wie in weiches Wachs! Über den einfachen Menschen, den Felder und Wälder umgeben, ist eine solche Gewalt sehr gross, und er wird wie ein Träumer, wie ein Besessener wird er und fasst den Entschluss mit der Seele, einen ganzen Entschluss und wie er entschlossen ist, so muss er handeln. Arabella erschrickt vor der dumpfen Heftigkeit, steht auf MANDRYKA steht auf Gräfin, ich habe vergessen wie anderswo anders die Welt ist. Hier sind nicht meine Wälder und Felder, Sie müssen verzeihen meine unschicklichen Reden, womit ich Sie hindre am Tanzen. LAMORAL kommt von rückwärts zu Arabella Darf ich jetzt stören und um einen Walzer bitten? ARABELLA Nein. Später, Lamoral, ich möcht mit dem Herrn da noch ein bissl reden, wenn er - vielleicht - sich wieder niedersetzen wird. Lamoral verneigt sich und geht ARABELLA setzt sich und winkt Mandryka, sich zu setzen Sie wollen mich heirathen, sagt mein Vater ja haben Sie denn eine Ahnung wer wir sind? Wir sind nicht grad sehr viel, nach dem Mass dieser Welt - wir laufen halt so mit als etwas zweifelhafte Existenzen! MANDRYKA Ihren Stammbaum, Arabella, den tragen Sie in Ihr Gesicht geschrieben! und wenn Ihnen genug ist über einen zu gebieten der selbst wieder gebietet über viele so kommen Sie mit mir und sei'n die Herrin! Sie werden Pfauen weiden auf seidenem Boden und das wird nicht geschehen dass jemand sich dünkt über Ihnen es sei denn der König und Kaiser und seine Kaiserin! - aber sonst niemand! ARABELLA vor sich Der Richtige - so hab' ich still zu mir gesagt, Der Richtige, wenns einen gibt für mich, der wird auf einmal da stehen, so hab' ich gesagt, und wird mich anschaun und ich ihn und keine Winkelzüge werden sein und keine Fragen, nein, alles hell und offen, wie ein lichter Fluss, auf dem die Sonne blitzt! MANDRYKA So fliesst der helle stille Donau mir beim Haus vorbei, und hat mir dich gebracht! du Allerschönste! Geheimnisvoll Und heute abend noch, zur Schlafenszeit - wärst du ein Mädchen aus der Dörfer einem meinigen, du müsstest mir zum Brunnen gehen hinter deines Vaters Haus und klares Wasser schöpfen einen Becher voll und mir ihn reichen vor der Schwelle, dass ich dein Verlobter bin vor Gott und vor den Menschen, meine Allerschönste! ARABELLA So wie Sie sind, so hab ich keinen Menschen je gesehn! Sie bringen Ihre eigene Lebensluft mit sich und was nicht Ihnen zugehört, das ist nicht da für Sie. MANDRYKA Darum kann ich erst leben wenn ich etwas Herrliches erhöhe über mich, und so in dieser Stunde erhöh ich dich, und wähle dich zu meiner Frau und wo ich Herr bin, wirst du Herrin sein und wirst gebieten, wo ich der Gebieter bin! ARABELLA ganz leise, mit ihm Und du wirst mein Gebieter sein und ich dir untertan dein Haus wird mein Haus sein, in deinem Grab will ich mit dir begraben sein - MANDRYKA meine Allerschönste, in dieser Stunde erhöh ich dich. ARABELLA so gebe ich mich dir auf Zeit und Ewigkeit. Ihren Ton völlig ändernd, aber ernst jetzt aber fahren Sie nachhaus. Ich bitte Sie darum. MANDRYKA Und Sie? ARABELLA Ich bleibe noch. Mandryka verneigt sich Ich möchte tanzen noch, und Abschied nehmen von meiner Mädchenzeit, nur eine Stunde lang. Gewähren Sie mir die? MANDRYKA Wenn Sie hier bleiben, so ist mein Platz nicht anderswo als hier. Arabella runzelt die Stirn Sie aber brauchen nicht ein einziges Wort an mich zu richten! Ein Schwarm von Fiakern und Ballgästen, darunter auch die Fiakermilli und einige solche Mädchen, und die drei Grafen, kommt aus dem Tanzsaal herauf auf die Bühne ARABELLA sieht Mandryka an Darf ich? MANDRYKA Sie dürfen! ja! Sie dürfen alles was Sie wollen! Indem er zur Seite tritt und den Herankommenden den Weg freigibt Tretet auseinander, gute Menschen, nach den vier Weltseiten auseinander! Lasst die junge Magd ein Kleines tanze eh vom Väterchen sie noch vermählt wird! Die Fiakermilli, eine hübsche Person in einem sehr auffallenden Ballkleid, ein grosses Bukett in der Hand, tritt aus dem Schwarm heraus auf Arabella zu, die jetzt in der Mitte steht DOMINIK neben Milli tretend Der Ball begehrt nach seiner Königin! die Milli ist der Herold der Fiaker wir haben unsre Huldigung ihr in den Mund gelegt! DIE FIAKERMILLI indem sie mit einem Knix Arabella das Bukett überreicht, leichtfertig, fast frech Die Wiener Herrn verstehen sich auf die Astronomie Die könnten von der Sternwart sein und wissen gar nicht wie! Sie finden einen neuen Stern gar schnell heraus die Wiener Herrn den machen sie zur Königin an ihrem Firmament Zu der dann schallt es im Verein du sollst unsres Festes Königin sein! DIE GRAFEN UND FIAKER Zu der dann schallt es im Verein Du sollst unsres Festes Königin sein. Die Fiakermilli geht sogleich aus ihrem Lied in ein freches übermütiges Jodeln über. Der Jodler bildet die Überleitung zu dem nun einsetzenden Walzer. Arabella, unter den Klängen des Walzers den Milli mitjodelt, nimmt Blumen aus dem Bukett und verteilt sie unter die Herren und Fiaker. Zuletzt wirft sie das ausgeplünderte Bukett unter sie und nimmt Dominiks Arm, und steigt mit ihm in den Ballsaal hinab, von allen gefolgt. Mandryka sieht ihnen nach, dann wendet er sich. Adelaide erscheint in diesem Augenblick von rechts. Matteo ist zugleich links herausgetreten, Zdenka schüchtern hinter ihm, in Knabenkleidern, aber einer Art von schwarzem Frack, sich hinter einer Säule deckend ADELAIDE auf Mandryka zu Sie sind allein? Wo ist Arabella? MANDRYKA Wo ihre Pflicht sie ruft als Königin des Balles. MATTEO in die Luft Wie sie mich vergisst - im Rausch ihrer Schönheit! ADELAIDE Ihre Augen leuchten. Wie darf ich das deuten? ZDENKA hinter Matteo, ängstlich Sie denkt an dich, ich weiss es, Matteo! Ihre Blicke nur nimmt sie in acht. MANDRYKA auf Adelaide zu O Gräfin, Sie selber so jung noch, so reizend - und Sie ihre Mutter! mit was für Worten womit denn auf Erden vermöchte ich Ihnen zu danken! Er küsst ihr mit Innigkeit die Hand MATTEO tritt einen Schritt hervor Die Blumen für alle! für alle ihr Lächeln! sie selber für alle! was bleibt für mich? ADELAIDE Zu Mandryka O könnten Sie ahnen, was in mir vorgeht! mein Freund! mein Sohn! mein fahrender Ritter! Zu viel für mein Herz. Ich muss es teilen! Zu ihm, zu ihr! Nein, bleiben Sie hier! ich finde ihn! er muss Sie umarmen! Sie eilt rechts ab ZDENKA innig aber zart, zu Matteo Für dich bleibt Alles sie braucht deine Trauer tief wie ein Brunnen ihre ganze Seele hineinzuwerfen - Seicht sind die andern! MATTEO vor sich Eines bleibt fort nach Galizien, und sie vergessen - wenn ich noch kann! Und ist's dazu zu spät - so gibt es noch ein andres Mittel! Er geht nach vorne, Zdenka bleibt links, aus Furcht, gesehen zu werden ZDENKA Der Papa! die Mama! dass keiner mich sieht! Wohin gehst du, Matteo? Matteo geht in den Hintergrund, starrt düster in den Ballsaal hinab. Adelaide und Waldner, von rechts, auf Mandryka zu. Zdenka verschwindet links ADELAIDE O Theodor! hier ist er, Theodor! WALDNER jovial Wie stehst du vor mir, neveu meines alten Mandryka? Mir scheint, du verstehst, wie man Frauen gewinnt, so gut wie der Onkel! Na! Teschek! umarme mich schon! MANDRYKA Glücklich, du Guter steh ich vor euch - leichte Umarmung glücklich so sehr, dass ich fast muss mich schämen! - Nicht wie ein Mann steh ich vor euch gar wie ein Bursch, der auf den Abend wartet - in unseren Dörfern - wenn alles dunkel, gelöscht sind die Feuer! aber er weiss, im Haus ihres Vaters wartet das Mädel, dann schlüpft sie zum Brunnen und schöpft für ihn einen Trunk klaren Wassers den reicht sie ihm von der finsteren Schwelle. ADELAIDE O welche Zartheit, bezaubernde ländliche Sitte! Ich fühle die Luft meiner Heimat um mich, und das Schloss meiner Väter, drunten schlummernd das Dorf - WALDNER mit einer abwehrenden Gebärde sehr eilig Ich stehe sofort zur Verfügung! Leise Lass mich! ich bin im Gewinn! Ab rechts Mandryka hebt seine Hand und schnalzt mit den Fingern; sofort sind Welko, Djura und Jankel um ihn; alle im schwarzen Frack, aber mit Metallknöpfen MANDRYKA rechts Hierher einen Tisch. Wir werden soupieren. Sogleich ein Kellner mit einer Karte und Kellnerjungen MANDRYKA zu Adelaide Welchen Champagner? befehlen Sie selber! Kellner praesentiert Adelaide die Weinkarte ADELAIDE Moët-Chandon, halb herb und halb süss - der war es bei meiner Verlobung! MANDRYKA Dreissig Flaschen von diesem! Er zeigt in die Weinkarte Sechs für den Tisch und die andern herumservieren im Saal - und noch einmal dreissig! und noch einmal dreissig! Welko, du ordnest! Eiskübel in jede Ecke! bis sie alle im Saal da nimmermehr wissen ob sie sind Grafen, verhext in Fiakerkutscher, oder Fiakerkutscher, umgekrempelt in Grafen! Sie sollen sich freuen, wenn ich mich freue! Befehlen weiter! ADELAIDE indessen man ihr Hummern, Fasanen, Eiscremen etc. praesentiert Haben wir Blumen? MANDRYKA schnell Aufpassen, Djüra! Nimmst einen Fiaker und noch einen zweiten aufsperren lasst dir die Gärtnergeschäfte, aufwecken die hübschen Verkäuferinnen, ausräumen sollen sie ihre Keller! Füllst einen Wagen an mit Rosen, einen mit roten und weissen Camelien. Walzer soll sie auf Blumen tanzen Abschied nehmen von Mädchenzeiten! Später breit ich meine Hände sie wird nicht mehr Walzer tanzen aber tanzen auf meinen Händen! ADELAIDE O wie ich den Traum meiner Mädchenzeit w ederfinde ! Grossmütig sind Sie, und voller Stärke - knapp im Befehl, und sicherlich furchtbar im Zürnen - welch ein Vertrauen flössen Sie ein, O unsagbar! Schnell Ihren Arm und führen Sie mich auf die Estrade! この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella/II-2
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Rostock - Nur Stunden nach dem Wiederauftauchen einer vermissten 17-Jährigen aus Rostock hat die Polizei am Dienstag einen 28-jährigen Mann wegen des Verdachts der Freiheitsberaubung festgenommen. Das teilten die Ermittler am Abend mit. Dem mehrfach vorbestraften Rostocker wird zudem Körperverletzung und Nötigung vorgeworfen. Dreieinhalb Stunden vor der Festnahme war die 17-jährige Rebecca nach tagelanger Suche durch Freunde, Angehörige, Polizei und Feuerwehr gefunden worden - in einem Gebüsch unweit ihres Wohnorts. Das Mädchen war seit Samstagfrüh vermisst worden, nachdem es einen Club am Rostocker Stadthafen verlassen hatte. Es werde derzeit ärztlich und psychologisch betreut, teilte die Polizei am Dienstagabend mit.dapd SZ vom 17.10.2012 自作PC 大学受験情報
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Subjects-Science-General Magnetic Ultrathin Films, Multilayers and Surfaces Symposium Held April 17-20, 1995, San Francisco, California, U.S.A (Materials Research Society Symposium Proceedings) Materials Research Society? Ernesto E. Marinero? B. Heinrich? W. F., Jr. Egelhoff? A. Fert? H. Fujimori? G. Guntherodt? R. L. White? MaterialsResearchSociety? ErnestoE.Marinero? B.Heinrich? W.F.,Jr.Egelhoff? A.Fert? H.Fujimori? G.Guntherodt? R.L.White? ユーズドブック(洋書)-Engineering Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-ThinFilms? Subjects-Science-Reference-Engineering? Polymer/Inorganic Interfaces II Symposium Held April 18-20, 1995, San Francisco, California, U.S.A (Materials Research Society Symposium Proceedings) Materials Research Society? Lawrence T. Drzal? R. L. Opila? 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Rapid Thermal and Integrated Processing IV Symposium Held April 17-20, 1995, San Francisco, California, U.S.A (Symposium Proceedings Series; Vol. 387) Materials Research Society? S. R. J. Brueck? Jeffrey C. Gelpey? A. Kermani? J. L. Regolini? J. C. Sturm? MaterialsResearchSociety? S.R.J.Brueck? JeffreyC.Gelpey? A.Kermani? J.L.Regolini? J.C.Sturm? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Film Synthesis and Growth Using Energetic Beams Symposium Held April 17-20, 1995, San Francisco, California, U.S.A (Materials Research Society Symposium Proceedings) Materials Research Society? Harry A. Atwater? J. T. Dickinson? D. H. Lowndes? A. Polman? MaterialsResearchSociety? HarryA.Atwater? J.T.Dickinson? D.H.Lowndes? A.Polman? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-Materials-Composites? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-Materials-Composites? Subjects-Science-General Subjects-Science-Physics-Applied? Modeling and Simulation of Thin-Film Processing Symposium Held April 17-20, 1995, San Francisco, California, USA (Materials Research Society, Vol 3) Materials Research Society? David J. Srolovitz? 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Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Materials Reliability in Microelectronics V (Symposium Proceedings Series; Volume 391) Materials Research Society? A. S. Oates? MaterialsResearchSociety? A.S.Oates? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Science-General Subjects-Science-Technology-General&Reference Thin Films for Integrated Optics Applications Symposium Held April 17-20, 1995, San Francisco, California, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? Bruce W. Wessels? Seth R. Marder? David M. Walba? MaterialsResearchSociety? BruceW.Wessels? SethR.Marder? 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Code Geass 7. Attack Cornelia Emcee Announcing. Prince Lelouch vi Britania, 17th heir to the royal Britanian imperial throne. Vassal I heard the Empress Marianne was killed inside of the Britanian Palace. Vassal There s no way terrorists could ve gotten in there. Vassal Which means that the real assassins must have been... Vassal Shhh. Beware, my friend. You ll regret it if anyone hears that kind of talk around the Palace. Vassal And yet the boy remains... even though his mother is dead. Vassal It s over. And the Ashford family who stood behind them is finished as well. Vassal And his sister, the Princess? Vassal We understand she was shot in the legs. Vassal And that she lost her sight. Vassal Blindness caused by trauma though, isn t it? Vassal No difference. Now she can t even be married off for political gain. Lelouch Hail, Your Majesty. My mother the Empress is dead. Charles Old news. What of it? Lelouch What of it? Charles You sought an audience with the Emperor of Britania simply to inform me of that? Send the next one in. I have no time for these childish games. Lelouch Father! Royal Guards Yes, Your Majesty. Lelouch Why didn t you keep mother out of harm s way? You re the Emperor, the greatest man in this nation if not the world. You should have protected her and now you don t even visit Nunnally? Charles I ve no use for that weakling. Lelouch That weakling? Charles That is what it means to be Royalty. Lelouch Then I don t wanna be your heir. I give up my claim to the throne! Vassals Oh. Lelouch I m sick of fighting and scheming over who will succeed you, father. I ve had enough! Charles You are dead. Lelouch Eh... Charles You have always been dead to me, dead from the moment you were born. Who gave you the fine clothes you wear, a comfortable home, the food you eat, and your very life? All of those, I have given to you. In short, you are nothing to me because you have never existed. Yet you dare to speak such foolishness to me? Lelouch Eek! Aaah! Charles Lelouch! You are dead. Therefore, you are not entitled to any rights. I am sending you and Nunnally to Japan as Prince and Princess you will serve well as bargaining tools. Lloyd It s a seventh generation Knightmare Frame, making its abilities far greater than normal... Cornelia I understand that the Lancelot s pilot is an Eleven. Lloyd That s correct, an Honorary Britanian. However... Cornelia I m promoting this man from private to warrant officer, that should satisfy him. I m trying to win without having to rely too much on the Numbers. Euphemia Those who risk their lives on the battlefield are the ones who deserve to rule. I understand the theory, sister. But still... Suzaku Sorry, you have to sit here watching me do my homework. Cecile Oh, don t worry about it. You ve never attended a regular school before, so it can t be avoided. Suzaku The guys on the Student Council are helping me, too. But... it s still hard. Cecile Hehehe. To be perfectly honest with you, I ve been a little bit worried. It s supposed to be a liberal school, but I was afraid you were fitting in well. Suzaku Me, too. I was expecting that. But I happened to run into an old friend there and he smoothed everything out for me. Cecile Be sure you never take that friend for granted. If your friendship continues, your reunion won t have been coincidence. It will have been predestined. Suzaku O.K. Cecile Anyway, please try one of these. Suzaku Thank you, I will. Cecile I d like your opinion of them. Suzaku There s... jam. Cecile Yes. I just happened to get some lovely blueberries. Lloyd Alright, everyone. Pack it up, pack it up. Well done today. Don t do anymore. Hip, hip, hurrah! That s all folks... haah. Suzaku Ah... Um... Cecile Go to school. Classes might be over for the day, but it s important to meet your friends and have a social life, too. Shirley Say, can I ask you something important? Kallen Uh-huh. Sure, what is it? Shirley Ah, Kallen, are you hiding something from us? Kallen Huh? Shirley If it s something too personal... Kallen No. What are you talking about? Shirley You can tell me. I promise I won t be shocked or upset. Uh well the thing is I happend to see you before. Kallen Um... Shirley Urghh, you re going out with Lelou, right? Kallen Lelou? Shirley The other day I saw you outside. Kallen Ah, no no no no. That was all his doing. Shirley His doing? Kallen No, wait! It wasn t like that. Shirley I don t get it. You were trying so hard to catch the cat before. Kallen No, that wasn t it. Besides it s not like we kissed or anything. Shirley Or anything? Then you stopped short of doing it? Kallen Will you quit imagining things? You don t understand the circumstances one bit! Milly But an arranged marriage is so... I understand how much you want to reestablish the Ashford family. But mother, it s just that... Nina Ah, I ve divided it! Darlton The Saitama Ghetto is now completely surrounded. The Yamato Alliance s hide out is located at somewhere in here. Half the people in this neighborhood are cooperating with them. So, if we proceed now... Cornelia What will be the effect on production? Darlton Primary sector output should decrease by 0.2% Cornelia Within expectations, you mean. All right. All of you here participated in the Shinjuku disaster. Is that correct? Subordinate Yes. And we re indebted to you Princess Cornelia for your mercy. Cornelia That s not what I m asking. Do you think the conditions are similar? Subordinate Huh? Cornelia To those in Shinjuku. Announcer Mlitary authorities report that they have surrounded the Saitama Ghetto, a known hiding place for terrorists. Viceroy Cornelia is also on the scene, and entry to that area is restricted. C.C. Hum-hum-hum. Oh, well? What has you looking so serious? Announcer It appears that a full scale assault will be launched in two hours. Consequently, power will be shut off... Staff News is one thing, but why are we broadcasting the start time? Diethart Because they are trying to provoke Zero. Cornelia Zero is a criminal with a flair for theatrical. I ve recreated the same conditions that existed in Shinjuku in order to draw him out. If he s the over-confident type, I predict he ll come here to try to kill me. Subordinate Viceroy, you d really risk your own life like this? Cornelia What you fail to understand is war is a strrugle between pride and life. C.C. You re not falling for the enemy s provocation? Lelouch They went to such trouble to invite me, though. Besides, there s something I d like to ask Cornelia personally. C.C. Destroying Britannia or discovering who murdered your mother, which is more important to you? Lelouch The two are of equal importance. The royal family members are competing with each other to see who will ascend the throne and become the next ruler. Or rather, they re being forced to fight by that man. C.C. But the very thing you hate is the same thing that makes Britannia strong. The royal heir who is best fit become the next ruler of Britannia is the last one left standing. Lelouch Exactly. The weak ones lose and they re cast aside. Britannia is that kind of nation. That kind of world. C.C. Survival of the fittest is the most basic rule of all. Lelouch If that s true, then what happens to Nunnally? Should I simply give up on my sister because she s frail? I refuse to accept that. I ll wipe out that sort of world myself. Suzaku (Humming) Kallen Like I ve said, there s nothing between Lelouch and I! Suzaku Lelouch? Kallen Anyway, that s how it is. There s nothing going on. Suzaku Huh? Um... where is Lelouch? Shirley I don t know where he is. And I don t give a damn! Suzaku Huh? C.C. You can t go, Lelouch. You need to fulfill your part of our bargain, so I won t have you dying before that. Lelouch Notice that what you re saying and what you re doing are contradictory. C.C. Oh, I won t kill you. I m merely going to shoot you in the leg to quiet you down. Lelouch Now I get it. You are unable to use Geass yourself, aren t you? C.C. (gasp) Lelouch I m not surprised. I suspected as much. You obviously wouldn t have ask me to do it if you could ve done it yourself. C.C. Do you honestly think you can threaten me with a gun? Lelouch Yes, I do. C.C. Huh. Lelouch Until I met you I was dead. An empty corpse existing behind a false guise of life, a life in which I did nothing real. Day to day, I merely went through the emotions of living as if I were a zombie. And I always had the feeling that I was gradually dying. If I m condemned to go back to that, then I d rather... C.C. Stop it. Lelouch Humph. C.C. I see now. It s life without meaning. And a life like that... Civilian Aaah... Civilian Oh, my God. Why the hell did you do that? Even children are here. What s going on? We haven t done anything. Soldier That s exactly why. The people of this ghetto refused to report the terrorists. You hide them, cover for them. That s treason against a suzerain state! Darlton We ve done sweeping away those in charge. Cornelia It s nearly time to set our plan motion. So shall we begin? Darlton Right. Attention all forces. Commence eradication of the Saitama Ghetto. Darlton All forces, assume No. 1 battle stations. Jeremiah I don t understand. Why won t Princess Cornelia order us to attack as well? Kewell ; She won t because Orange is here. Just be thankful that you haven t been disposed of. You re to blame for this. It s due to you that our careers are over. Jeremiah You re wrong. Zero s the one who did it. Kewell That again, humph. Villetta Zero. Could that student be working with him? Commander Suppression of area 4 complete. 8th and 11th mechanized infantry companies are sweeping north and south in a pincer movement. Lelouch Always the same. Cornelia replaces Clovis, yet Britannia never changes. Kightmare Pilot What unit are you from? Your unit name and ID, soldier. Lelouch Private Dario Torres[?], sir. With Third Reconnaissance Company. I obtained this item from one of the terrorists. Could I ask you please transmit it to headquarters for me, sir? Kightmare Pilot Disc, huh? Well, I still need to verify your ID first. Lelouch Right, understood. But before we do that, sir, I d like to borrow your Sutherland. So, hand it over. Kightmare Pilot Sure. No problem. Just take good care of it. Lelouch Thank you, I really appreciate it. Yamato member It s hopeless. Yamato member Can t we break through along the Saikyo Line. Yamato member They got armor blocking it. We can t use backroads, either. Any reinforcements from Akabane or Jujo? Yamato member One man might get through but not a group. Yamato member Izumi! Yamato member Damn. Any words of Toda or Kawaguchi districts? Yamato member Forget that. Listen! Yamato member Huh? Lelouch This, is Zero. Yamato member Zero! Yamato member Zero, you mean? Lelouch I assume all of you have heard about the Shinjuku incident. Do what I say, and you will be saved. Yamato members Ooh. B-12 Pilot B-12, suppression complete. F-7 Pilot F-7, no sign of the enemy. D-24 PIlot D-24, we are 87% complete. Commander Paladin team, change course to 5-1-6. Yes, my Lord. moving to 5-1-6. Sutherland Pilot No response at all. This guy Zero might turn out to be a no show. Sutherland Pilot Yes, he s just another run of the mill terrorist. Yamato member They came! They really came! Yamato member Just like Zero said they would! Lelouch Now then. Shall I drag Cornelia out, or should I make an opening? R-1, R-2, maintain distance. Draw them back to the area where N-2 is. B-7, open fire towards 2 o clock. P-5 s team will commence its barrage. Operator ** * team, contact lost. Operator Enemy spotted in district G-4-7. Operator Kuznetskii team engaging. They were ambushed. Operator The enemy appears to be using Sutherlands captured from our own forces. Subordinate Exactly the same as Shinjuku. Subordinate Has that ever been any sign of Zero yet? Lelouch N-2, continue towards the upper-right. R-4, fire. N-1, take the man on the left. Right. P-3, take out the bridge and close down the route now. Operator Point 1-7 has fallen. Hally team, contact lost. Cornelia That s enough. Order all troops to fall back. Further damage and casualties serve no point. Subordinate Fall back? Subordinate With all due respect, we can still fight them. Cornelia We can t fight them like this. Darlton? All forces, fall back behind Ghetto perimeter at once. Formation dosen t matter. Fall back behind Ghetto perimeter at once. Lelouch What? No stomach for it? If I blend in with the retreating units that d put me right next to Cornelia. Have I cleared the task at hand already? C.C. Heh heh. You can t fight your own blood, can you? But regardless, that type of person is dangerous. I wonder which path he ll take. I understand. Just who do you think I am, anyway? Shirley Hmm. So, Lelou lived here before this became Area 11, huh? Was he a neighbor? Suzaku Uh... what about yourself? Shirley Myself? I guess we re a lot alike in that respect. Honestly I didn t like Lelou at the beginning when I first met him. He gave impression that he was flippant, and only thing he worked hard at was avoiding hard work. Suzaku Ah. Shirley But back when we were both fleshmen, I happened to see him come upon a traffic accident. A driver rear-ended another car and was clearly at fault, but he tried to blame on the elderly owners of the other car. Nobody tried to help them. And then... Ah, Lelou didn t do it so he could boast to his buddies or laugh about it later. He did it with the same bored expression he always wears. That s when I wondered, "What s up with this guy? What goes on his mind? What does he wanna do?" I really wanted to know and in the process of finding out... Suzaku You fell in love with him? Shirley Huh, um... You think that what this is? Maybe you re right. Milly How dreamy it is to be in love. Oh, how I wish. Lelouch Cornelia, you re no match you ll lose. Cornelia Zero is no match, I ll win. Subordinate Huh? Darlton Of course. That s why we call Princess Cornelia the Goddess of Victory. Cornelia Shall we go, then, Guilford my knight? Guilford It is my pleasure to serve and obey you, my Lady. Lelouch Humph. Even with my Geass, the normal security makes it too risky for me to simply stroll in. I guess I ll have to create an opening as I did with Clovis. Hmm? Student Council room? I thought the Cat Festival meeting was scheduled for tomorrow. Shirley I know Kallen said I had it all wrong, but it seemed like she was getting upset in order to fool me. Suzaku Which is why in this case, it s best to simply ask him directly. On your behalf, I can ask him how he feels about you. Shirley What? You d really do that? Suzaku Just relax. It ll be fine. Shirley Are you nuts? No way! Lelouch Hm? Oh, whatever. Suzaku Aw, come on. Let me handle this for you. I ll be discreet. Shirley I don t want your help, okay? Suzaku It ll be fine. Oh! Cat Meeow! Suzaku Sorry. Shirley Ah... Suzaku Oooh! Cat Grrr. Shirley Uh-oh. Does that hurt much? Suzaku Greatly. Lelouch You re desperate, Cornelia, using your Royal Guard in such a manner. This is Zero. N-1 will reengage their IFF signal. Operate as a Britannian unit. N-1 Understood. Lelouch ... as my decoy. Darlton One Knightmare left transmitting an IFF signal within the city area. Subordinate Can t you contact it? Subordinate Scrabble the rescue team! Cornelia No, destroy it. Subordinate You can t! Subordinate He might be a captive of the enemy. Cornelia I ordered all troops to fall back. I have no use for soldiers who can t follow my orders. Darlton You heard the Princess. Subordinate But! Cornelia Do your duty even if it costs your life. My subordinates follow that code without question. Guilford At your command, your Highness. N-1 Hey! What re you guys doing? Can t you read the IFF signal? I m on your side! N-1 Damn it! Lelouch No confirmation? Well then.. N-2, transmit signal then fall back to the hospital ruins. R-1, R-2, hold your positions, fire only if attacked. Cornelia They ve transmitted another signal which means one thing. They ve set an ambush. Send in more Gloucesters and surround them. Lelouch They re not following? No, damn it! R-1, R-2, abort the ambush and fall back at once. Abort! Operator Gloucesters have arrived at the indicated area. No sign of the enemy. Cornelia He anticipated my move. It s possible we really are dealing with Zero himself. Lelouch P-2, N-3, circle around behind the enemy. What s wrong? Come in! P-2, N-3! Damn it! B-1, B-5, move in! B-1? Like hell! There s no way we can beat Cornelia s Royal Guards. That s a death sentence. I m out! Yamato member Hey, all we surrender. Yamato member We won t resist. Yamato member Spare us. Cornelia Kill them. Lelouch P-6, P-8, what s happening? Aargh! B-7, circle around and cover N-4. N-4 This is B-7. I ve got a prime target here. I ll take him out first. Lelouch No, hold fire! That s a decoy. B-7, that s an order! N-4 What d you mean? I ve got this bastard right in my sights! Lelouch Fall back! They ll strike from above. B-7, fall back! N-4 Aargh...! Lelouch Idiot! B-8, this is Zero. I want a status report now. B-8 Screw your status report! Aargh...! Lelouch B-8! Damn! Anyone who s left, report in from the P-group now. Commander Mission complete. All forces, take formation No.4. Lelouch Beaten as easily. But that s not how the game was supposed to go. Cornelia This didn t work out the way it did in Shinjuku, Zero. So, are you still masquerading as one of us? We ll discover who you are shortly. Lelouch This... This is what real organization can do. Cornelia Attention, all Knightmare pilots. Open your hatches and reveal your faces. Lelouch Ah. Cornelia! Cornelia Huh. I repeat, all pilots, open your hatches and show me your faces. Lelouch What do I do? If she gets me in a line-up without my mask, my identity will be exposed. That mustn t happen. Use my Geass? No, impossible. It won t work unless I look directly at them. The enemy is protected within Knightmares. That leaves the infantry and the other pilots. Forget it, they re too many of them. How do I turn this around? No, would that work? Show them I m Zero then use the power? But then the Knightmares. Maybe I can start shooting and break out of here? Impossible, against Cornelia s Royal Guard that would be suicide. Guilford Open your hatch. It s your turn. What s wrong? Hurry up and open your hatch. Lelouch Well, my hatch was damaged earlier in battle. Guilford I see, then we ll open it for you. Turn around. Well, come on!l Lelouch Yes, understood. At once, Sir. Soldier Zero s been sighted! Lelouch Hm? Cornelia Aha, I was right. Zero has a flair for the dramatic. Lelouch No way! Guilford Capture him! Platoon 3 and 5, stay... Image detected. Target confirmed. Lelouch I ll just have to play along.** Head around back. Sharpshooters, open fire!** He fell! Guilford Your Highness, how do you want us to proceed now? Cornelia Hmm. Any likelihood it s a trap? Darlton There s always that possibility. Especially since we don t know anything about this person, aside from the fact that he seems as prideful as you anticipated, Viceroy. Cornelia Then there s no point in chasing him. Darlton Correct. If he intentionally revealed himself directry to his enemy, he must already have an escape route already in place. Cornelia So self-preservation trumps all? Lelouch That s how Cornelia is. She s nothing at all like Clovis. Ah! Lelouch Why did you rescue me? C.C. I told you already. I can t have you dying. Lelouch I wouldn t have lost if the conditions were equal. C.C. You sore loser. If you re really that good, you should be able to set up conditions the way you want. Lelouch That s what I ll do then, I ll set them up. I ll raise an army that can t lose to Britannia. A people, a nation! Where and how can I find troops? Who will serve my army? If only I could ask Suzaku to join me... No, that ship has sailed, he s a Britannian soldier now. Even if he doesn t enter into the fray, he s still my enemy. Well then, I ll just have to choose.
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